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Transactions ID Number: 20-711
Full Name: Goldbach Felix Constantin
Position: Lecturer
Age: ON
Sex: Male
Address: Valahia University of Targoviste, 18 – 22 Unirii Bd, 130082, Targoviste, Romania ,
Country: ROMANIA
Tel: +407545020696
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E-mail address: felixgoldbach@yahoo.com
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Title of the Paper: Berio's interpretation and integration of Beckett's The Unnamable in Sinfonia
Authors as they appear in the Paper: GoldbachFelix Constantin, Georgescu Bilbie Ilia
Email addresses of all the authors: felixgoldbach@yahoo.com, ilia.georgescu@gmail.com
Number of paper pages: 8
Abstract: This literature and music approximation is a contribution to Luciano Berio's Sinfonia for eight voices and orchestra understanding in relation with Samuel Beckett's novel The Unnamable. The content expounds how Berio use The Unnamable in his Sinfonia, how is this integrated and transformed in relation with other quotations from diffent arts like music: Beethoven, Berg, Mahler, Stravinsky, Debussy, Schönberg, Ravel, Berlioz, Hindemith, etc., Berio's article Meditation on a twelve-tone Horse, Paul Valery's poem Le cimetière marin, Joyce's Ulysses novel, mythology from Claude Lévi-Strauss Le cru et le cuit, various programs from Mahler's Second Symphony, Berlioz's Symphonie Fantastique, Stravisnky's "Danse de la terre" from Sacre du Prientemps, Berg's Wozzeck, etc., vocal techniques to "musicalise" Beckett's text and slogans from the 1968 French and American riots. There is also presented the The Unnamable as a different typed of musicality, and also modified and exp!
osed as form of music. There is also the illustation of Berio's quotations choices, demostrated throught the analysis. It is evidenced which are the reasons that Berio uses Beckett's text, what is his purpose quotating The Unnamable and how he integrates, harmonizes and interrelates it with the rest of the quotations applied in Sinfonia. Considering the dimension and the object of this paper, this labour would be only an approximation to the purpose mentiond above. The tasks are to compare The Unnamable and its meanings with Berio's music, quotations, programs and all other referencies that submerge in this versatil process of fusion.
Keywords: Berio's sinfonia, music and literature, music and meanings, theatre of the absurd.
EXTENSION of the file: .doc
Special (Invited) Session: INTERRELATIONS BETWEEN LUCIANO BERIO'S SINFONIA AND SAMUEL BECKETT'S
Organizer of the Session: 656-194
How Did you learn about congress: qfelixq@yahoo.com
IP ADDRESS: 193.226.18.10
